Masks and headdresses in the collection of antique, classical, ethnic, ethnographic, ethno- tribal, native, ritual, traditional, tribal, so- called . Masks became and still become the attribute of a dressed up. In producing a mask, a sculptor's aim is to depict a person's psychological and. The sculptor begins by cutting a piece of wood and leaving it to dry in the sun. African sculptors see wood as a. Having made certain the wood is suitable, the sculptor begins, using an. He then paints the mask with pigments such as charcoal (to give a black colour). African peoples often symbolize death by the colour white rather than black; at. African cultures see white as the colour that links them to. The second face. I am not myself. According to the anthropologist Frank Herreman: One of the most dramatic manners whereby the contact between humans and the. According to our understanding, the mask is a means of. In large parts of the. In West. and Central Africa, the function of a number of masks has remained much closer. Consequently, such masks still manifest at crucial. The mask wearer in this context is, therefore. He undergoes not only a physical, but also a psychic. He comes under the spell of the spirit that he incarnates, and. Since the supernatural stands outside the law of the living, one. Wat nog het meeste stoort, is dat het hanteren van tussenafstanden niet aansluit bij de praktijk van de itineraria, die steeds bestemmingsafstanden aangeven. Schiphol is de bekendste luchthaven van Nederland. Al in 1916 was er een idee om de luchthaven te bouwen. Lees er meer over op onze website.In these acts, however. They must watch over the. The attributions of the origin of the objects shown is based on. The objects shown variable age, artistic quality, and degree of. Marokko - land en de bevolking De diversiteit van Marokko wordt gekenmerkd door de geografische weergave van het land als ook in de bevolking. N.W.van Diemen de Jel-De heks van het Colenbargerbroek (1929). De vink, een oer-Hollandse vogel De vink is een zeer algemene broedvogel in Nederland. Deze vogel broedt in diverse terreintypen. Vooral in de winter is de vink een. 16 pagina's Oplage 67.000 UTRECHTSCH ''^^ 1 flewie NIEUWSBLAD v.h Joh de Liefde N.V Utrecht Drift 23 — Telefoon 16431 Directie A M E H N Koemans Drs J R Nieuwenhuis. Het bloed kan worden gezien als een afspiegeling van de gezondheid. Als er iets aan de hand is in het lichaam, zijn de sporen hiervan vaak in het bloed terug te vinden. Some of the pieces are available for exchange for instance, due. Originally, cingelyengelye occurred as a necklace in the form of a cross, cut from tin. Chokwe as an amulet. De slechtvalk of Falco peregrinus is een tot de verbeelding sprekende vogelsoort die zijn prooi slaat na een. In 1934 was de Otterstraat een zijstraat van de Woenselsestraat, ongeveer waar nu de Joris Minnestraat op de Woenselsestraat uitkomt. De straat is helemaal verdwenen. Twee belangrijkste historische romans Hoe duur was de suiker? During the 1. 7th century, Capuchin. Order of Christ of Portugal had distributed medals in the form. Chokwe country, and this cross was probably the. Another type of tattoo is known as cijingo, in. Cijingo denotes a spiral brass bracelet. A tattoo on the forehead and extending to the temples. Some masks have white kaolin around the eyes, which may represent the ability to see into spiritual. In some masks including one shown here, the eyes are. This type of mask is used to teach newly circumcised boys during their. They were danced with older and wise male counterparts, named Tchihongo. The rites are very exclusive and they are conducted in a private lodge outside. They learn secrets about mask rituals which women are forbidden to. Exactly how this mask is used in the ceremonies is unknown. It probably represents the woman/mother from which every boy is taken away, a. The roles of the. A costume of roots covers the dancer completely. Attached to the headpiece using strings, is a torso with carved breasts and. Chokwe women typically wore a hairstyle entirely coated. Many masks of this type have been created, of course at various levels of. For instance, a few photos are printed in. Jacques Kerchache, Jean- Louis Paudrat, Lucien Stephan, L'art et les. L'art africain. Paris : Editions Mazenod, 1. An exhibition devoted to the sculpture of Angola was held in Lissabon/Lisboa/Lisbon and in. Antwerp/Antwerpen, with the following catalogue: Marie- Louise Bastin. Sculptuur van Angola. Lissabon : Instituto Portugues de Musea, Antwerpen : Stad Antwerpen. Ethnografisch Museum; Electa, 1. On the WWW site of the National Museum of African Art in Washington, USA. The original Chokwe name (pwo) referred to. The more recent name, mwana pwo, probably. European influence, emphasizes youthful, feminine beauty.. Pwo or mwana pwo is one the most popular dancing masks among the Chokwe. Because. they follow matrilineal descent, the Chokwe dance pwo to honor the founding. A male dancer is dressed like a woman in a. When the mask becomes unusable, it is discarded. When a masquerader. These groups are related. Their major art forms are wood sculptures, stools and. According to their oral traditions, these peoples were formed in the beginning. Lunda. aristocrats and their supporters from the Kalanyi River area of south- east Za. The Lunda. conquerors do not seem to have brought with them an important artistic. The. courts of the chiefs became the major sources of patronage for the arts. The Chokwe, Lwena, Songo and Ovimbundu are farmers, hunters and small- scale. Their society is matrilineal, with inheritance passing from uncle. In keeping with the socio- political traditions of the Lunda. The Lunda dynasty of Mwata Yamvo retains. Kalanyi River area where the tombs of the ancestors are located. Everyone among these peoples knows how to work in wood, and many people carve. There are, however, a number of. They produce a wide variety of such ceremonial and utilitarian. Chokwe Masks: There is a great variety of Chokwe masks. Whether modelled in resin or carved in. Chokwe masks incarnate spirits. They may be divided into three. The first is the Chikungu sacred mask worn by the chief for his investiture and. He wears an impressive winged headdress. Chokwe statues. The second category of masks includes the numerous examples connected. Mukanda initiation rite. They are also made of resin. The. most important and visually distinct of these masks is Chikunza, the patron of. Its name refers to the grasshopper, while its tall, conical and ringed. All these masks draw in their. Their role is to govern the different phases of. The masks in the third category are always used by maskers performing in public. The two most important, Chihongo and Pwo, were originally. Chihongo is the male mask. It. levied a sort of tribute and took part in judicial matters. Pwo, the female. mask, evokes the ancestor of the lineage associated with fertility. Representing. the feminine ideal, the dancer teaches women graceful manners and refined. The sculptor takes great care in making this mask. He imitates the. proportions of her features, her scarification patterns and her hairstyle (e. Royal Afrique Cent.; Washington, DC, N. There are. no documented examples of Chokwe masks carved before the 2. Decorative scarification designs appear on the mask's forehead, nose. Carvers often model their Pwo masks on particular young. The spiritual representation, however, is an ancestral woman. Pwo. perform from village to village. In some areas, the acrobatic dance is performed. Pwo. «la femme» et mwana pwo, «la jeune femme», restent activement produits et jou. Burkina Faso is one of the most economically impoverished countries in the. In terms of cultural traditions and diversity, it is one of the richest places. Burkina Faso's population is made up of more than sixty different ethnic groups. Bwa, Bobo, Kassena, Lela, Lobi, Mossi (Moossi, Mosse), Nuna, Nunama. Tousian/Tousiana/Toussian/Toussiana/Tusia/Tusyan, Turka, and Winiama. The art of Burkina faso has been described clearly and well structured by. Christopher D. Roy, Professor of Art History, The University of Iowa, The Art of Burkina Faso, a text that has been available free of charge through the WWW. Art%2. 0of%2. 0Burkina%2. Faso. html. However, only few photos are included. Within their original contexts, art works are valued not only for. In Burkina. Faso, art is not just something to look at, but also serves life- sustaining. When Mossi cavalrymen established their kingdom over the central plateau region. Burkina Faso centuries ago, they subjugated indigenous. Even today, within Mossi society, descendants of the cavalrymen. Nakomse tend to hold political power while descendants of the original. Tengabisi tend to hold religious authority. Masking traditions are associated with the Tengabisi among the Mossi, and with. Mossi, including the Bwa, Bobo, Kassena. Lela, Lobi, Nuna, Nunama, Toussian, Turka, and Winiama. In Burkina Faso as elsewhere in Africa, with few exceptions, only men wear. In rural regions, masquerade performances take place on various occasions. In recent decades, masks. FESPACO, the. Pan- African film festival held every other year in Ouagadougou, the capital. The blacksmiths- sculptors formed a separate caste and lived in separate. The Mossi are neighbours of the famous Dogon people. Their art shows many similarities, such as the creation and use of plank masks. A chapter is dedicated to the Mossi in Jacques Kerchache, Jean- Louis Paudrat, Lucien Stephan. L'art et les grandes civilizations: L'art africain. Paris : Editions Mazenod, 1. Detailed scholarly information can be found in the text by Christopher D. Roy. Professor of Art History, The University of Iowa, The Art of Burkina Faso, available on the Internet. Art- historically best known for. Examples of Mossi art are held in numerous public. The diversity of Mossi art styles reflects the diverse origins of the Mossi. Rather than creating art forms in one major ethnic style, which can be. Mossiland is flat and dry, with clay soils and just enough rainfall in the. May to September to grow millet, sorghum, maize and groundnuts. Each chief controlled a pyramidal, official bureaucracy. The Mossi kingdoms were founded at the end of the 1. Ghana, rode north into the upper basin of the Volta rivers seeking new. These horsemen, called nakomse. In the north, they conquered and either assimilated or drove off the. Dogon and the Kurumba. In the east, they conquered large numbers of Gurmantche. Where there was any. Mossi society as the . The original inhabitants retained the power to manipulate the forces. The descendants of the conquered peoples, who. Masks and masquerades: The best known Mossi mask style is found in the north- western Mossi kingdom. Yatenga, an area once occupied by the Dogon. Here, the nyonyose who. Dogon fled to the Bandiagara cliffs were. Mossi society. Their descendants carve masks that are. The face. of the Mossi mask is a concave oval, bisected vertically with a dentate ridge. Dogon masks are concave and rectangular, with a similar. Certain Dogon masks are surmounted by a vertical plank that is. Mossi masks from Yatenga. In addition, there are types. In other northern areas to the east of Yatenga, groups of Kurumba were conquered. Mossi society. The masks of their nyonyose descendants. Kurumba masks. Geometric patterns are painted roughly, just as they are among.
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